Select quotes below. I begin to suspect me and Alan may be the same person.
And he rebutted the suggestion that it was “not the place of two white men to try to ‘reclaim’ a character like the golliwogg”, telling Ó Méalóid that this idea “would appear to be predicated upon an assumption that no author or artist should presume to use characters who are of a different race to themselves”.
“Since I can think of no obvious reason why this principle should only relate to the issue of race – and specifically to black people and white people – then I assume it must be extended to characters of different ethnicities, genders, sexualities, religions, political persuasions and, possibly most uncomfortably of all for many people considering these issues, social classes … If this restriction were universally adopted, we would have had no authors from middle-class backgrounds who were able to write about the situation of the lower classes, which would have effectively ruled out almost all authors since William Shakespeare.”
His thinking, he said, was that “sexual violence, including rape and domestic abuse, should also feature in my work where necessary or appropriate to a given narrative, the alternative being to imply that these things did not exist, or weren’t happening. This, given the scale upon which such events occur, would have seemed tantamount to the denial of a sexual holocaust, happening annually.”
In the real world there are, Moore tells his interviewer, “relatively few murders in relation to the staggering number of rapes and other crimes of sexual or gender-related violence”, but this is “almost a complete reversal of the way that the world is represented in its movies, television shows, literature or comic-book material”.
“Why should murder be so over-represented in our popular fiction, and crimes of a sexual nature so under-represented?” he asks. “Surely it cannot be because rape is worse than murder, and is thus deserving of a special unmentionable status. Surely, the last people to suggest that rape was worse than murder were the sensitively reared classes of the Victorian era … And yet, while it is perfectly acceptable (not to say almost mandatory) to depict violent and lethal incidents in lurid and gloating high-definition detail, this is somehow regarded as healthy and perfectly normal, and it is the considered depiction of sexual crimes that will inevitably attract uproars of the current variety.”